Contracts and News
New York Pitch Conference Faculty
Workshop Leaders, Agents, Staff
Publishing House Editors
Ibrahim Ahmad is senior editor at Akashic Books. He has acquired and edited dozens of titles for the completely independent Brooklyn-based company, which is dedicated to publishing urban literary fiction, upmarket/general fiction, fantasy (YA and adult), crime fiction, and political nonfiction by authors who are either ignored by the mainstream, or who have no interest in working within the ever-consolidating ranks of the major corporate publishers. Akashic's enduring commitment to seek out and publish fresh voices is reflected by the diversity and eclecticism of the twenty-five or so books released annually by the company. In addition to its regular publishing program, Akashic hosts a number of other imprints including the Little House on the Bowery experimental fiction line; Chris Abani's Black Goat poetry imprint, which seeks to provide a proportional representation of female, African, and other non-American poets; and the Akashic Noir Series, showcasing original short crime fiction from around the world.
Laura Apperson is an associate editor at St. Martin's Press. She has worked on a wide range of projects, from literary fiction and current events to cookbooks and memoir, for both young adult and adult. Laura is actively seeking nonfiction and fiction projects, as well as fresh voices that speak to real, everyday issues, and bold, unputdownable stories. It's crucial to Laura that readers identify with characters they in books, and therefore, diversity is essential. In nonfiction, Laura is seeking narrative, memoir, health/lifestyle, cookbooks, and gift & pop culture projects. In adult and YA fiction, she is seeking upmarket/commercial, mystery, contemporary, and women's fiction.
Janine Barlow is an Assistant Editor with Thomas Dunne Books, an imprint of St. Martin's Press. Before joining SMP, Janine worked in book marketing and publicity, and maintains her dedication to the whole life of a book in her current position. She loves writing so thorough, descriptive, and evocative that authors can introduce new concepts and connections in nonfiction, or the most astonishing plot twists in fiction, and keep readers riveted through it all. She looks for a gripping plot and atmosphere truly working together.
Lisa Bonvissuto is an Assistant Editor at Thomas Dunne Books, an imprint of St. Martin's Press. She is looking to acquire upmarket fiction, narrative nonfiction, smart mysteries, and thrillers. She is especially interested in voice-driven writing with well-developed characters and relationships. For nonfiction, she is open to a variety of topics.
Rebecca Brewer is an associate editor at Penguin Random House for Ace. She specializes in science fiction and fantasy, which has been a lifelong passion. She started her career at the Science Fiction Book Club before moving to Ace. Her list includes such esteemed authors as Emma Newman, Daniel J. Older, Charles Stross, S.M. Stirling, Genevieve Cogman, and Christina Henry, among others.
Kat is an associate editor at St. Martins. She interned at the Maria Carvainis Agency, Foundry Literary + Media, and Writers House. She looks for non-fiction by authors with a great platform, like Joe Zee, creative director of ELLE magazine. She is working with R.L. Stine on reviving his young adult "Fear Street" series, which has sold more than 80 million copies around the world. She is seeking contemporary novels, general or upmarket, both light and dark, as well as mystery, suspense, or thrillers, and YA that exposes readers to new points of view.
Jackie Cantor is a Senior Editor at Gallery, a division of Simon and Schuster. Titles she's published there include UNRAVELING OLIVER by Liz Nugent, which was lauded by People Magazine, the Washington Post, and the Seattle Times, recipient of a starred and boxed Publishers Weekly review, and winner of the publishing trifecta of industry awards: a BEA Buzz Pick, a Barnes and Noble Discover Pick, and an Indie Next Pick. Other recent fiction titles include THE UNFORGOTTEN by Laura Powell and THE BELOVEDS by Maureen Lindley. Among Jackie's more recent acquisitions are RHAPSODY by Mitchell James Kaplan, a novel inspired by the life of George Gershwin; BONE DEEP by Sandra Ireland, a dark suspense novel; and, on the nonfiction front, THE LOST BOYS OF MONTAUK: A TRUE STORY OF THE WIND BLOWN AND FOUR MEN WHO VANISHED AT SEA by Amanda Fairbanks. Jackie has discovered a number of New York Times bestselling authors, including Diana Gabaldon, Eloisa James, and Kate Quinn. She's also worked with Jane Green, Rhys Bowen, Clare Mackintosh (I LET YOU GO), John Lescroart, Kate Furnivall (whose novel THE RUSSIAN CONCUBINE was an inaugural title for Target's Book Club), Helen Fremont (author of the award-winning Boston Globe bestselling memoir AFTER LONG SILENCE), Debra Ollivier (author of the Los Angeles Times bestseller WHAT FRENCH WOMEN KNOW), and Hope Edelman (New York Times bestselling author of MOTHERLESS DAUGHTERS).
Jackie started her career in the publicity department of Ballantine Books. Before arriving at Gallery in August 2016, she held senior editorial positions at NAL, Dell, Bantam, and Berkley. She's a graduate of Barnard College and lives in New York City with her family.
Jenny joined Crooked Lane in 2017 by way of internships with Writers House, Penguin Random House, and Simon & Schuster. She obtained her BA and MA degrees in English literature, graduating with highest honors, in 2016. Now, she works on all stories criminal with a wide range of authors, including those of critically acclaimed bestsellers. With an affinity for the macabre, Jenny is on the hunt for stories (real or fictive) that challenge the human spirit: How far can we fracture before we break? She is looking for serial killer thrillers, commercial domestic thrillers, upmarket domestic suspense, police/reporter procedurals, Southern gothics, true crime, and is particularly interested in stories featuring nuanced villains, "bad" mothers, missing/murdered indigenous women, procedurals (police or reporter), cabin in the woods settings, serial killers of all manners, and creepy dolls and wells. She loves a story that shakes her to her core, no holds barred.
An Executive Editor at Penguin, Tom has worked in publishing for over twenty years in publishing. His specialties are general fiction, category fiction, mysteries, thrillers, and just about any high-concept marketable tale. Authors he has worked with include Tom Clancy, Ed McBain, Clive Cussler, W.E.B. Griffin, and Jack Higgins.
Brendan Deneen is the Director of Literary and IP Development at Assemble Media (BONE TOMAHAWK) where he focuses on selling projects to both the publishing and film/TV industries. Prior to joining Assemble, Deneen was an Executive Editor at Tor/Macmillan for the eight years where he edited dozens of books including the New York Times-bestselling WALKING DEAD novels co-written by Robert Kirkman. Deneen also created and ran Macmillan Entertainment, setting up book-to-film projects at Warner Brothers, Fox, Sony, MGM, Hulu, NBC, CBS, Lionsgate, Showtime, and many others. Before Macmillan, Deneen was a book-to-film executive for Scott Rudin and at Miramax/Dimension Films. He started his career at William Morris, working for legendary literary agent Owen Laster.
Jennifer Donovan is an Assistant Editor at St. Martin's Press, acquiring for both SMP and Minotaur. She is interested in commercial adult fiction falling in the mystery, action thriller, and magical realism categories. She's particularly interested in manuscripts with complex heroes, imaginative world-building, and strong casts of characters. For nonfiction, she's drawn to sports stories, humorous nonfiction on serious topics (think Mary Roach), and in-depth studies of interesting subcultures.
Chelsey Emmelhainz began her publishing career in Colorado with the Denver Publishing Institute at the University of Denver. She joined Crooked Lane Books in 2017 by way of HarperCollins where she had the pleasure of working with New York Times and USA Today bestselling authors and ITW award finalists. At CLB, her list focuses on contemporary upmarket suspense, mystery, and crime fiction featuring sophisticated writing and compelling, high-concept conflicts with crossover potential. Chelsey is especially interested in culturally diverse voices and concepts involving coming-of-age, family dysfunction, and toxic friendships. She loves all things dark, gritty, and macabre. With a special love for debut novelists, she is always on the hunt for upmarket mysteries and literary suspense with the power to make her miss her subway stop.
Michaela Hamilton, executive editor at Kensington, acquires and edits commercial fiction including thrillers, mainstream mysteries, cozy mysteries, women's fiction, true crime, platform-driven memoirs, and nonfiction and fiction involving animals. Highlights of her publishing career include DONNIE BRASCO by Joseph D. Pistone, SMALL SACRIFICES by Ann Rule, JFK HAS BEEN SHOT by Dr. Charles Crenshaw, and AN UNEXPECTED GRACE by Kristin von Kreisler.
After graduating the Columbia Publishing Course, Miranda Hill immediately began working in the industry. Now, as an editorial assistant at Berkley publishing, her primary focus is working with two different editors on adult science fiction and fantasy novels, as well as acquiring projects of her own. She loves her science fiction and fantasy selections to have whip-fast pacing and biting humor, in the vein of THE LONG WAY TO A SMALL, ANGRY PLANET by Becky Chambers or THE LIES OF LOCKE LAMORA by Scott Lynch, and she particularly enjoys deep character dives in her novels, as in N.K. Jemisin's THE FIFTH SEASON, Emma Newman's BEFORE MARS, and SIX WAKES by Mur Lafferty.
Tom Hoeler is an assistant editor at Del Rey Books, the sci-fi/fantasy imprint of Random House. He works with a number of original fiction authors and as a member of the licensed fiction team, working on brands like Star Wars. He is a 2012 graduate of Carnegie Mellon University.
Lauren Jablonski is an editor at St. Martin's Press, part of Macmillan. She works with authors including Anita Hughes, Meghan Masterson, Jonathan Maberry, Lev Grossman, Laurie Frankel, Doug the Pug, and Ron Darling among many others. In fiction, she's looking for women's fiction (both upmarket and fluffy), general fiction, historical, fantasy, sci-fi, dystopian, thrillers and anything with a unique voice--especially works that promote strong female characters, inclusion, and diversity. In non-fiction, she is interested in quirky, gifty, millennial, and celebrity projects as well as memoir, pop-science, business, and projects about strong women. She loves being sucked into worlds she knows nothing about. For Lauren, the magic is in the details.
Peter Joseph is an executive editor at Thomas Dunne Books, an imprint of St. Martin's Press, where he acquires fiction and nonfiction. His nonfiction list covers narrative nonfiction, memoirs, biographies, nature, science, history, politics, and humor. His fiction list includes literary, general fiction, crime, and historical novels. He has edited notable and bestselling authors such as Patrick J. Buchanan, Senator Robert Byrd, Mayor Buddy Cianci, Dario Fo, Steve Guttenberg, Steve Hamilton, Robert Littell, Lt.Col. Anthony Shaffer, William Shatner, Wilbur Smith and Senator Arlen Specter. With Anne Hillerman, he co-founded the annual Tony Hillerman Prize for debut mystery set in the Southwest.
Executive Editor Lyssa Keusch acquires primarily commercial fiction for the William Morrow/Avon imprint of HarperCollins Publishers. Her main focus is on rich, textured, thought-provoking commercial women's fiction, contemporary upmarket or historical fiction, and high-concept thrillers, mysteries and suspense. She has launched the careers of New York Times bestselling authors James Rollins and Julia Quinn, with whom she is thrilled to continue to work. Among her other authors are New York Times bestsellers J. A. Jance, Jefferson Bass, Samantha James, and Elizabeth Boyle, award-winners Jamie Freveletti, Sean Chercover, Robin Burcell, and Mary Daheim, and international bestsellers Kathryn Fox and Glenn Cooper. While her list is generally comprised of commercial fiction, she enjoys editing the occasional narrative nonfiction project as well, keeping an eye out for books in which the reader learns something fascinating, on topics ranging from popular science and nature to history to cultural explorations to memoir.
Patrick LoBrutto has been an editor, author and anthologist for over 30 years. He has worked in all areas of Fiction and Non-Fiction specializing in Science Fiction, Fantasy and Horror, Thrillers, Historical Fiction, Westerns, Military History and Mysteries. He has worked for Ace Books, Doubleday, M. Evans, Random House, Kensington, Stealth Press (an Internet Publisher) and Bantam. He has held the position of Editor, Senior Editor and Editor-in-Chief, working with authors like Isaac Asimov, Stephen King, Eric Van Lustbader, the Louis L'Amour Estate, and all the DUNE Novels of Brian Herbert and others. He has received the World Fantasy Award for editing. He currently lectures at writer's conferences and works as an Editorial Consultant, an Acquiring Editor for Tor/Forge and as a scout for the Trident Media Group. He is on the National Advisory Board of the Writer's Hall of Fame of America and Award Administrator for the Philip K. Dick Award.
Karyn Marcus is a Senior Editor at the flagship imprint of Simon and Schuster. Acquiring both fiction and nonfiction, Karyn's interests are varied: she looks for voice-driven upmarket fiction, well-paced suspense, memoir, and narrative nonfiction about science, health, and culture. Among the fiction titles she has worked on are THE ROSIE PROJECT by Graeme Simsion, WOOL by Hugh Howey and THE SILENT WIFE by A.S.A. Harrison.
In his own words: "Before my move to Tom Doherty Associates, I spent time helping build two different genre-based communities focused on putting the readers, and fans, first. This philosophy continues to shape my own personal tastes as I am constantly searching for projects that inspire excitement and more than a little bit of obsession. Now that I am here at Tor/Forge I look forward to building a list that is centered on fun, commercial fiction driven by great characters and told with a strong voice. I love great adult action-adventure stories of all kinds, hi-tech thrillers, exciting military fiction, and contemporary/urban fantasies with a nice horror angle. Most of all I love a story that grabs your attention with a great hook and keeps you turning the page.
April Osborn joined MIRA in 2018, after a decade in the publishing industry during which she's had the opportunity to work with bestselling and award-winning authors in many genres. She enjoys editing a broad range of fiction projects, from rich family sagas with strong plotting and complex relationships to psychological suspense and thrillers that make her spine tingle. She loves books that feature strong female protagonists from diverse backgrounds and propulsive plots balanced with compelling characters, and books that have something interesting to say about the world we live in. She also appreciates any book that can make her laugh out loud like a lunatic. Her preferences today are smart psychological thrillers, book club fiction with a contemporary edge, and complex family stories. In 2018, MIRA placed 55 titles on the New York Times, USA TODAY and Publishers Weekly bestseller lists combined. MIRA publishes approximately 100 books per year in hardcover, mass-market and trade paperback formats.
Diana M. Pho is a Hugo Award-nominated editor at Tor Books and Tor.com Publishing, who has worked in the publishing industry under various hats for the past decade. Books she had acquired have gone on to win the Thriller Award (STEEPLEJACK by A.J. Hartley, for Best YA), and the Ditmar Award (CROSSROADS OF CANOPY by Thoraiya Dyer, for Best Novel) and to become finalists for the Nebula Award, Lambda Literary Award, Shirley Jackson Award, Compton Crook Award, and Andre Norton Award for Young Adult.
She is actively seeking upmarket and commercial speculative stories, and acquires adult, young adult, novellas, and graphic novels across the diverse range of speculative fiction. High on her priorities are multicultural narratives featuring authentic characters who portray experiences from the margins. Stories with a strong commercial hook or interrogate sociopolitical topics are her jam. She also loves writing that's rich with aesthetic style, complicated characters, and layered worldbuilding.
For science fiction, she is seeking stories about the near future, space adventure, cyberpunk, afrofuturism, transhumanism, or the singularity, and positive climate science fiction. On the fantasy side, she enjoys historicals (with a soft spot for Russian-inspired fiction), steampunk, alternate history, dark fantasy, and contemporary fantasy.
Kristin Sevick is an editor at Tor/Forge where she has worked for more than seven years, acquiring a wide range of commercial fiction, including romance, crime, historical, upmarket and women's fiction. Before coming to Tor, she spent a few years working at a veterinary journal which was both good editing experience and also made her a hypochondriac about her dog. Kristin's list includes New York Times bestselling author W. Bruce Cameron, Boston Globe bestseller Hank Phillippi Ryan, award-winning authors Rebecca Cantrell and Carrie Bebris, and many others.
Jenn Snyder is on the editorial staff at the Berkley imprint of Penguin Random House. She works with a number of original fiction authors across a variety of genres, including mysteries, thrillers, suspense, and narrative nonfiction, and she has a lifelong passion for science fiction and fantasy. She's looking to build a list that is centered on high-concept, voice-driven thrillers, science fiction, and anything with a unique voice (especially works that promote inclusion and diversity). She is a 2014 graduate of Ithaca College, and will soon be completing her Masters of Science in Publishing from Pace University.
Hilary Rubin Teeman
Hilary is an editor at St. Martin's Press. She acquires commercial and literary fiction, historical fiction, thrillers, mainstream romantic suspense, and chick-lit as well as social and cultural histories, narrative non-fiction, popular sociology, playful self-help, and memoir. Recently published and forthcoming titles include: Lenore Hart's BECKY, a novel of the "true life" of Becky Thatcher; Tamar Yellin's THE GENIZAH AT THE HOUSE OF SHEPHER, an award-winning novel of four generations of a Jerusalem family; Lea Jacobson's BAR FLOWER, a gripping memoir of the decadent, destructive life of a Tokyo nightclub hostess; and Lori Uscher-Pines's BUYING THE COW IN THE AGE OF FREE MILK: HOW TO GET YOUR MAN TO PROPOSE; and star of VH1's The Pickup Artist, Mystery's THE MYSTERY METHOD: HOW TO GET BEAUTIFUL WOMEN INTO BED.
Michelle Vega is an Editor with the Berkley Publishing Group, an imprint of Penguin Group, USA. She has a Master's degree in British and American literature and began her career with Berkley in 2005. She is interested in cozy, paranormal, traditional and historical mysteries. She also loves urban fantasy, thrillers, suspense, horror, and some YA, but she'll read anything with intriguing characters and a compelling plot. Her mystery authors are published under Berkley's New York Times bestselling Prime Crime imprint and she has also acquired for the Berkley, Ace, and Jove lines.
Adam Wilson joined Gallery (Simon and Schuster) in 2011, having begun his career with Harlequin and MIRA Books. As a senior editor is looking to acquire upmarket commercial and literary fiction, elevated genre fiction, pop culture and sports nonfiction. He particularly enjoys working with authors to refine their work, taking on a diverse array of projects and voices. Authors he has worked with include Christina Lauren, Anna Todd, Benjamin Whitmer, Francesca Haig, V.C. Andrews, Robert Levy, Jeff Somers, and Jennifer Estep.
Senior Editor Tessa Woodward edits a wide array of romance, women's fiction, and historical fiction. On the romance side, she edits authors across all genres, including the New York Times and USA Today bestsellers Tessa Dare, Jennifer L. Armentrout, Jennifer Bernard, and Maya Rodale. Her women's fiction titles range from USA Today bestseller Shelley Noble's beach-set novels, to Molly McAdams' New York Times bestselling New Adult stories, to Lisa Turner's psychological mysteries, and the New York Times bestselling historical ORPHAN #8, a debut from Kim van Alkemade. She is the US editor for international bestseller Paullina Simons.
Abby Zidle is a senior editor at Gallery and Pocket Books acquiring commercial fiction and nonfiction, including romance, suspense, general fiction, women's fiction, memoir, and popular culture titles. Her authors at Pocket include everything from New York Times bestsellers to debut novelists. Prior to working at Pocket, she was an editor for Harlequin's HQN line. She began her career in publishing at Bantam Dell, after abandoning the glamorous life of a Ph.D. student (the only job that pays worse than editorial assistant).
Having recently transitioned from Marketing Operations to Editorial within SMP, Samantha brings a unique understanding of publishing processes, list management, and sales analysis to the table. She is primarily seeking voice-driven, unforgettable commercial and literary fiction--in particular, psychological thrillers, debuts, page-turning beach reads, women's fiction, and mysteries. In YA, she loves heart-felt contemporary fiction, not to mention suspense; and in nonfiction, strong female voices, narratives, and true crime.
Literary Agents for Books and TV/Film
Adam Chromy - Moveable Type Management
Adam Chromy's organization, Movable Type Management, provides inventive literary representation and development, focused equally on story-craft and brand building. Working in a wide range of fiction and nonfiction genres and categories, they help authors build narratives and brands that people care about, thus propelling themselves to the widest audience possible across multiple media and territories.
After receiving a degree in Finance and Management from N.Y.U.'s Stern School of Business and spending a decade as a sales and marketing guru, Adam Chromy decided to blend his love of narrative with his modern entrepreneurial spirit. The result was Artists and Artisans, where for ten years he represented authors with a professional rigor seldom seen in the book business. After hundreds of published books and numerous bestsellers, Adam reorganized Artists and Artisans as a management company renamed Movable Type Management/Media to better serve clients by offering them the higher visibility afforded by film and television adaptations of their work.
Michelle Richter is an Associate Agent at Fuse Literary, which she joined after being an editor for eight years at St. Martin's Press. She has a Master's of Science in Publishing from Pace University, where she is an adjunct faculty member. Michelle is primarily seeking fiction, especially book club reads, magical realism, suspense, mysteries/thrillers, and YA contemporary and thrillers. She's very eager to find fiction that represents cultures currently marginalized (like South Asian and Native American), as well as stories of friendship, siblings, and family secrets. Her recent deals include Midnight Ink, Kensington, and Doubleday Canada, among others.
Alexa Stark - Trident Media
Alexa Stark is a literary agent at Trident Media Group, where she represents a range of literary and upmarket fiction as well as nonfiction. In fiction, she is particularly drawn to literary debuts with a unique voice and perspective, character-driven suspense and thrillers, stories about dysfunctional friendships and families, fiction that delves into the surreal, and select YA. In nonfiction, she is drawn to narrative nonfiction, cultural criticism, voice-driven essay collections, popular science, psychology, and women's issues. Raised in New York City, Alexa earned her B.A. in Comparative Literature and Society at Columbia University.
Amy Stapp - Wolfson Literary
Amy Stapp received her BA from Samford University and MA from Georgia State University before beginning her publishing career at Macmillan, where she was an editor for seven years and had the privilege of working with bestselling authors such as Katie McGarry, Shelley Noble, and Amber Lynn Natusch, among others. Amy joined Wolfson Literary in 2018 and is actively building her list, with interest in women's fiction, mystery, suspense, historical fiction, young adult, and select narrative nonfiction. She is particularly drawn to well-paced prose and smart, multidimensional characters.
Algonkian Assistant Editor
Josh Sippie is a fiction writer who masquerades as a professional sports writer. He has appeared on McSweeney's Internet Tendency, pretending to be a mutated crayfish. He teaches various blogging classes at Gotham Writers Workshop, he's an assistant at Talcott Notch Literary Agency, works the quarterly New York Pitch Conference, and hosts scavenger hunts across the east coast. In his writing, he enjoys unearthing little-known episodes of history and turning them into novels. He holds a BA in English and History from the University of Central Missouri.
New York Pitch Workshop Leaders
Susan Breen is the author of the novel THE FICTION CLASS, discovered at the New York Pitch and published by Plume, an imprint of Penguin Group. Her novel was also published by Headline Review (in the UK), Wheeler Publishing (large print) and is a selection of Reading Group Choices. Susan has been a finalist for the Peter Taylor Prize for the Novel and the James Jones First Novel Fellowship Competition. Her stories have been published by a number of literary magazines, among them North Dakota Quarterly, The Chattahoochee Review and American Literary Review. Susan teaches beginning and advanced fiction classes at Gotham Writers' Workshop; she is also a contributor to The Writer and Writer's Digest.
Senior Literary Agent and Content Strategist at Talcott Notch Literary Services, Paula boasts broad experience creating and marketing exceptional content in all formats across all markets for such media giants as Disney, Gannett, Greenspun Media Group, and Quayside. Her specialties include mystery/thriller, SF/fantasy, romance, YA, memoir, and humor. Paula is very involved with the mystery community, having served four terms as President of the New England chapter of Mystery Writers of America as well as on the MWA board. (She's currently VP of that organization.) She's also served as both co-chair and Agents and Editors chair on the New England Crime Bake committee for seven years and counting. And she's an active member of Sisters in Crime.
Michael Neff - Director
New York Pitch and Algonkian Writer Conferences director, Michael Neff, is an author, teacher, small press publisher, and a developmental editor. He is also an executive with AEI Films and Books in Los Angeles. His greatest satisfaction stems from helping dedicated fiction writers become commercially published. As an independent agent, he is actively searching for high concept projects that can be transformed into films or books, or both. Agent deals and commercial novels he has worked on as a development editor over the past several years include ON MAGGIE'S WATCH by Ann Garvin, MURDER AT BARCLAY MEADOW by Wendy Eckel, THE EDGE OF NORMAL by Carla Norton, THE BLACK PANTHERS by Gina Niccolo, DIE BACK by Richard Hacker, and RISE OF THE AMERICAN CORPORATE SECURITY STATE by Bea Edwards, among others. Novels ushered to commercial publication via his Algonkian-method workshops include THE MANHATTAN PUZZLE by Laurence O'Bryan, THE WISDOM OF HAIR by Kim Boykin, ORPHAN 8 by Kim Van Alkemade, DARK TURNS by Cate Holahan, THE GOAT WOMAN OF LARGO BAY by Gillian Royes, and THE FICTION CLASS by Susan Breen, among others. His own work has appeared in many national literary publications such as North American Review, Conjunctions, Pittsburgh Quarterly, The Literary Review, and Quarterly West, and he is author of ALL THE DARK WE WILL NOT SEE (Serving House Books), primary author, editor, and creator of WAR OF THE WORLD MAKERS (Del Sol Press), and creator of MAGICIANS IMPOSSIBLE (Macmillan Books).
NOTE: New York Pitch Conference faculty are subject to change as circumstances dictate, however, new editors and/or workshop leaders will be substituted who are just as qualified and diverse in taste.
Click here for more details about the conference.
If you need to contact us click here.