Faculty of the NY Pitch

 

 
• New York Pitch Home Page

• New York Event FAQ

• Agent and Pub Contracts

• Pitch Alums Comment

• How it Works at The NYC

• Who Should Attend NYC?

• New York Pitch Faculty

• Application-Registration

• Contact Us Here




   

NYC Workshop Faculty - Only the Best



Susan Breen | Paula Munier | Michael Neff





Susan Breen's first mystery, MAGGIE DOVE, was published by a digital imprint of Penguin Random House on June 14, 2016. The sequel, MAGGIE DOVE'S DETECTIVE AGENCY, was published on November, 2016. Susan's short stories and essays have been published by a number of magazines, among them Ellery Queen Mystery Magazine, American Literary Review and anderbo.com. One of her stories was selected for inclusion in Best American NonRequired Reading. She is also a proud finalist in the Writer's Policy Academy Golden Donut story competition. Susan's first novel, THE FICTION CLASS, won a Washington Irving Award from the Westchester Library Association, and was discovered and published as a result of the New York Pitch.

Susan teaches creative writing at Gotham Writers in Manhattan. She's also on the faculty of the New York Pitch Conference and New York Writers Workshop. She lives in a small village in the Hudson Valley with her husband, two dogs (cockapoos) and a cat. Her three grown children are flourishing elsewhere.









Three-book deal in 2016 with St. Martins for new mystery series, Paula Munier as author--A BORROWING OF BONES being the first.
Her last nonfiction book on craft, Writing With Quiet Hands, reviewed on Amazon - "Paula Munier's Writing with Quiet Hands is the real deal. Munier knows writing and publishing from all the angles and covers them in such a way as to teach, inspire, and encourage. If you want to learn, turn the pages and behold." - Reed Farrel Coleman, New York Times best-selling author of Robert B. Parker's The Devil Wins.
To date in 2019, Paula has clocked over 120 official deals with major publishers as an agent for Talcott-Notch Literary Agency.
To date in 2019, Paula has signed eight authors from the New York Pitch Conference, and all have contracts with major publishers.


Literary agent, editor and author Paula Munier is one of the biggest new stars in New York publishing. Her energy is boundless, her network endless, and being a writer herself, as well as a congenial human being, her care and compassion for her writers is legendary. Paula possesses broad experience in a wide variety of genres, and in creating content in all formats across all markets for such media giants as Disney, Gannett, Greenspun Media Group, and Quayside. She began her career as a journalist, and along the way added editor, acquisitions specialist, publishing executive, and literary agent to her repertoire. She served as the Director of Innovation and Acquisitions for Adams Media, a division of F+W Media, where she headed up the acquisitions team responsible for creating and producing both fiction and nonfiction for print, eBook, eShort, and direct-to-eBook formats.

As a literary agent for Talcott Notch, her deals over the past two years span the genre spectrum. They include a nice six figures for THE REGISTRY by Shannon Stoker; SNIPER by Vaughn Hardacker, DYING FOR ATTENTION by James Shannon, THE BODY LANGUAGE OF LIARS by Dr. Lillian Glass, TREAT ME LIKE A DOG by Larry Kay, THE FISHERMAN by Vaughn Hardacker, DISINTEGRATION by Richard Thomas, DARK TURNS by Cate Hollahan, DEATH DEALER by Kate Flora, ORPHAN #8 by Kim van Alkemade, and HOT DOGS AND CROISSANTS by Natasha and Victorine Saulnier.

She is also the author or co-author of several books including HOT FLASH HAIKU, 365 WAYS TO MAKE AMERICA A BETTER PLACE, 101 THINGS YOU AND JOHN McCAIN DIDN'T KNOW ABOUT SARAH PALIN, ON BEING BLONDE, a YA suspense novel EMERALD'S DESIRE, and mainstream fiction novel FIXING FREDDIE. Paula also served four terms as President of the New England chapter of Mystery Writers of America as well as on the MWA board; and she's an active member of Sisters in Crime.

Her flagship book on fiction craft, PLOT PERFECT, is one of the most sought after technique manuals in the commercial fiction business.









Michael Neff's latest novel (pseudonym Warwick Gleeson), PIPER ROBBIN AND THE AMERICAN OZ MAKER, was chosen by an editorial panel at Kirkus Reviews to be a Top 150 Best Book in their Fall Preview issue, 2019--both digital and print format--mailed out to libraries and booksellers across the U.S.

Michael Neff has contributed to the writing, development, and commercial publication of dozens of novels including those shown above, and many more that can be found here.

He is the founder and chief architect of Algonkian Writer Conferences including the famous and highly successful New York Pitch Conference, and the more sedate Algonkian Writer Retreat and Workshop.

Development Executive for AEI Films and Books (updated filmography at Wikipedia) which produces mainstream, HBO/Cinemax, and independent films, while also agenting best sellers. One of his AEI co-development projects, SISTER ISLANDS, is currently in production for a potential TV series.

His novel editorial service, Manuscripts to Market, features a four-phase, two-editor process devoted to helping manuscripts find a home. Novels of his currently in production include BEST SERVED DEADLY (a women's commercial thriller collaboration) and THE STAR WOMAN OF OZ (a Piper Robbin adult fantasy).

Articles on fiction and novel craft including the Six Act Two-Goal Novel, Storyboarding Your Scene, Studies in Third Person POV, and more.

Interview with agent Andrea Hurst on the topics of agent work, films in the making, Algonkian methods, the problems with muddled pitches, adamant narcissists, and much more.





Michael Neff's greatest satisfaction stems from helping dedicated fiction writers become commercially published. He is an author, teacher, agent, literary entrepreneur, and development editor as well. As a developmental editor for AEI, he is actively seeking high concept projects that can be transformed into films, television, or books. Agent deals and commercial novels involving him as a development editor over the past several years include ON MAGGIE'S WATCH by Ann Garvin, MURDER AT BARCLAY MEADOW by Wendy Eckel, THE EDGE OF NORMAL by Carla Norton, THE BLACK PANTHERS by Gina Niccolo, DIE BACK by Richard Hacker, KARMA CITY by Gardner Browning, and WAR OF THE WORLD MAKERS by Reilly Michaels, among others.

Novels ushered to commercial publication via his Algonkian-method workshops include GRAVEMAIDENS by Kelly Coon, THE MANHATTAN PUZZLE by Laurence O'Bryan, THE WISDOM OF HAIR by Kim Boykin, ORPHAN 8 by Kim Van Alkemade, DARK TURNS by Cate Holahan, THE GOAT WOMAN OF LARGO BAY by Gillian Royes, and THE FICTION CLASS by Susan Breen, among dozens of others.

Michael publishes and edits the literary journal Del Sol Review, and his own work has appeared in such literary journals as the North American Review, Quarterly West, Pittsburgh Quarterly, The Literary Review, American Way Magazine, and Conjunctions. He was one of the winners of the first Imitation William Faulkner Contest sponsored by the University of Mississippi, and has served as judge for various writing contests, including the Writer's Digest Finalist Prize for best short fiction.

He is a founder, contributing editor and content provider for Algonkian Author Salon and chief editor and founder of the online Algonkian Novel Writing Program, as well as founder and contributor to a popular writer blog known as The Writer's Edge that provides assistance to nascent authors.
TOP OF PAGE